Artist: Erroll Garner
Genre(s):
Jazz
Other
Discography:
The Erroll Garner Collection
Year: 2007
Tracks: 20
Immortal Concerts
Year: 2007
Tracks: 18
Jazz Piano Masters CD 2 - Poor Butterfly
Year: 2006
Tracks: 19
Jazz Piano Masters CD 1 - Bouncin' With Me
Year: 2006
Tracks: 20
Honeysuckle Rose CD 4
Year: 2006
Tracks: 19
Honeysuckle Rose CD 3
Year: 2006
Tracks: 17
Honeysuckle Rose CD 2
Year: 2006
Tracks: 18
Honeysuckle Rose CD 1
Year: 2006
Tracks: 19
Plays misty
Year: 2003
Tracks: 10
Play Piano Play
Year: 1999
Tracks: 14
Magician and Gershwin and Kern
Year: 1995
Tracks: 22
The Essence Of Erroll Garner
Year: 1994
Tracks: 12
Jazz Masters 7
Year: 1994
Tracks: 15
Serenade To Laura
Year: 1993
Tracks: 14
The Original Misty
Year: 1988
Tracks: 13
Long Ago And Far Away
Year: 1988
Tracks: 16
Compact Jazz
Year: 1987
Tracks: 14
Campus Concert/Feeling Is Believing
Year: 1970
Tracks: 18
Soliloquy
Year: 1957
Tracks: 12
Contrasts
Year: 1954
Tracks: 13
Afternoon Of An Elf
Year: 1954
Tracks: 11
Body and Soul
Year: 1951
Tracks: 20
That's My Kick and Gemini
Year:
Tracks: 19
Dreamstreet and One World Concert
Year:
Tracks: 17
Closeup In Swing - A New Kind Of Love
Year:
Tracks: 20
One of the most typical of all pianists, Erroll Garner proved that it was possible to be a sophisticated participant without learned how to read music, that a creative jazz player can be selfsame democratic without watering mastered his euphony, and that it is possible to rest an enthusiastic player without changing one's style one time it is formed. A vivid sensation wHO sounded unlike anyone else, Erroll Garner on medium-tempo pieces often stated the flap with his left hand like a rhythm guitar while his right played chords slightly behind the beat, creating a memorable impression. His playful free form introductions (which forced his sidemen to really listen), his ability to play stunning runs without erst glancing at the keyboard, his grunting and the pure joy that he displayed spell performing were likewise part of the Erroll Garner magic.
Garner, whose older brother Linton is likewise a fine piano player, appeared on the radiocommunication with the Kan-D-Kids at the years of ten. After functional topically in Pittsburgh, he stirred to New York in 1944 and worked with Slam Stewart's triplet during 1944-45 before expiration forbidden on his own. By 1946 Garner had his level-headed together and when he backed Charlie Parker on his far-famed "Nerveless Blues" session of 1947, the piano player was already an obvious giant. His unclassifiable style had an orchestral attack straight from the sweep era just was open to the innovations of federal Bureau of Prisons. From the early '50s Garner's accessible style became very democratic and he ne'er seemed to deliver an sour day up until his forced retirement (due to unwellness) in early 1975. His makeup "Misty" became a standard. Erroll Garner, world Health Organization had the power to sit at the pianoforte without prior preparation and record three albums in unmatchable day (all colourful first takes), made many records passim his vocation for such companies as Savoy, Mercury, RCA, Dial, Columbia, EmArcy, ABC-Paramount, MGM, Reprise and his possess Octave label.
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